For a chance to win this brand new copy of Save The Cat Writes A Novel, pop over to my Instagram (katefranceswrites) and follow the instructions π₯
UK entrants: prize includes 360g bar of Galaxy and two Christmas decorations ππ
For non UK entrants: I am happy to receive entries outside the UK, but probably wouldnβt send the chocolate! So, as long as you are happy to receive the book and the decorations without the Galaxy, please feel free to enter!
I shall attempt to type a suitable first sentence, having been absent from blogging since late September.
That wasn’t it, but for now, I’ll simply let thoughts travel down my bare arms and out through my fingertips – much like I did last month as I attempted the National Novel Writing Month. In 2018 I used the NaNo month to add words to the manuscript which I shall refer to in this post as Book 1 (Secrets Under A Tuscan Sun), but was unable to officially partake in the fun of unlocking badges along the way. In 2017 I laid the foundations of Book 1 during NaNo and achieved 17,000. It took a further eighteen months to create that first draft, while I pondered over what the weather may have been doing during Chapter seven, or what colour car a character was driving in Chapter sixteen.
I am delighted to inform you that during these past few months, it was been instilled in me that the first draft can be a very basic me-telling-me-the-story manuscript and hence last month I achieved the 50,000 word goal and now have the bare bones of a first draft for book 2.
I couldn’t be happier!
The reason for my success was, I believe, the correct alignment of each of a handful of criteria:
I was physically well and suffered no colds or migraines (an awful affliction).
I had planned this novel during October, based on the 15 beats suggested by Jessica Brody in her adaptation of Blake Synder’s screenplay bible, Save The Cat Writes A Novel. (While this worked very well for me, and highly recommend buying a copy, I’m aware there are a whole host of How-To books on the market.)
My husband, children and immediate family and friends were all aware I was attempting this challenge, and kindly left me alone to do so (eliminating guilt previously felt when sat at a keyboard during the day).
My sole trader business was put ‘on hold’ for the month, and I’m fortunate that November is a light month for work in any event, so it couldn’t have fallen better for me (going semi ‘public’ with a goal meant I had even more drive to achieve it).
This was me pouring over the chapters in this clever little number back in June, in Cornwall. I was then plotting a novel about an inter-generational friendship and what can happen when two characters who have been otherwise outcast, befriend each other, even when eighty years in age separate them. That novel is not the one I wrote for NaNo because I was advised I should probably consider writing a second romance-based story in case an agent comes back, interested in Book 1 and asks ‘What else do you have?’. (This possibility is one which still drives me, yet since my submissions during the last week of September, all I’ve received is two rejections.)
Save The Cat ensured I had no ‘soggy middle’ and each day I typed another scene as I saw it playing out. I knew where I was heading and kept in mind Stephen King’s tip that his first drafts are like unearthing the bones for what will one day be a whole skeleton. So I created scenes, including dialogue, so I could engage with my characters. I had no worries at all about adding bracketed instructions to myself for following up in subsequent edits, such as: (check egg boxes were available in 1911 New York) !!
I’ve given myself a fortnight ‘off’ from MADE OF STEEL since I finished the 50K, on purpose to let the story percolate before attempting first edit. And at least this time, I have a plan for those edits, having done the Curtis Brown Creative ‘Edit & Submit Your Novel’ six-week course. I shall go back through all the notes I printed and stuck into a ring binder and work my way through each section, ensuring it adds to the plot and drives the story forward. I shall also be creating more padding to each scene, hoping to bring the two main characters to life with further dialogue and expressive behaviours. Looking forward to getting stuck in to some deeper prose with carefully thought out metaphors or similes, all of which should help take this 50K towards the required length of a novel; somewhere between 75 and 90 for a commercial womens fiction paperback.
Having called it womens’ fiction, I would hope that some men would enjoy the story too, as it’s based on real events. Shall I have a brief go at pitching it to you now? (Sounds dangerous to me, without any planning)
Following a fire in 1911 Manhattan, factory worker Emma is recovering from physical scars but cannot escape the guilt that she was the only survivor. Her parents send her to Southern Ireland, away from the growing Suffragette movement in the city, worried she is too fragile, vulnerable and angry to become part of it. In Queenstown, Emma discovers how her grandparents lived, and how they escaped the famine sixty years earlier. She befriends Thomas, the owner of a hotel in the harbour; a quiet man who prefers life when his famous and overbearing wife is touring Europe on the stage. Their friendship threatens to turn into something greater, but morals and faith prevail. In the spring of 1912, Emma knows she needs to return to New York and a life without Thomas in it.
It’s a novel about love, about progress. A little politics here and there (which, spookily, mirror events this year) and some Royal mentions too.
(Queen – Courtesy of the wall art in John Lewis, Oxford Street, yesterday)
The Crown:
Where the hell was I when this Netflix series first aired?? It’s been my binge-viewing all autumn and I’m all caught up. Incredible storylines, and heart-breaking relationship issues throughout the monarchy over the decades. Riveting script and stunning performances. Whether you’re a royalist or a complete anti-monarchist, this series is worthy of your time from a drama point of view!
I mentioned bare arms because I’m sat here wrapped in a duvet, sitting at the desk at the bottom of the stairs, my only light a green glass desk lamp with brass base and small pull chain, which has always fascinated me. I couldn’t sleep and kept turning over to find a few seconds of calm before the insomniac vibes won over. Numerous times I’d move towards Man of the Woods and spoon against his back, my thighs following his and felt snuggly, but sleep refused to arrive. Then I’d turn the other way and hug the pillow, waiting again to drift. But alas, a cup of tea and a bowl of coco-pops won. That was 90 minutes ago.
I checked my WordPress statistics and learnt something rather interesting. In 2019, my total word count across blog posts has been a mere 18,518 compared to 2018 which totalled 132,641. The significance of this is not lost on me. While I’ve missed the interaction with you guys (and even now, I’m wondering if the algorithms will mean all my old regulars won’t even see this post until I start reading yours again) I have evidently been concentrating my creative words into novels.
I’ve lots more to chat about, but for now, I’ll leave you in peace and drag my duvet train back upstairs to see if the sleep Gods may grant me a couple of hours. I’ll schedule this to publish at 8am and look forward to touching base with some of you later.
Hello my gorgeous lovelies … I’m on a train, with my earphones in and was inspired to write you a little cuddly poem. It’s been far too long that I’ve ignored you all. Forgive me…
I read a poem recently by our great blogging friend Patti at Lovenlosses and I do hope she stayed safe during the recent hurricane.
I’ve also said hi to Mike, over at ReadafterBurnout who continues to entertain daily and I’ve downloaded his book which he released 9 August this year, so many congratulations on achieving this π
A dystopian world awaits the reader and what little time I’ve had to read it so far has given me no less pleasure than I expected from this very talented author. A teacher on the surface, a storyteller in ‘real life’ … I shall be review and starring it once I’ve finished ππΌ
Another supporter of mine is the wonderful Joseph at FlowersinBloom who appears to have had a blogging break of a similar length to mine. Totally unplanned, that, but I think of him from time to time as it was his recommendation of a Gail Tsukiyama novel which started my love affair with all things zen and bonsai trees (don’t ask to see mine π« I’ve yet to discover the art of keeping them alive).
I continue to chat also to my fellow writer, the beautiful Italian living in Ireland, Sabina at Ortensia72, whose posts always have me laughing out loud at family life, and nodding with recognition… her Book 1 is also on my kindle and it’s appalling I’ve not yet come to it.
But.
I do have good reason.
In the time it’s taken to ignore you for the best part of the summer, I’ve somehow managed to edit my novel. On a structural level I’m talking now. I think I finally have something I can send out!
I’ve simplified the plot in some areas, because guess what? I wasn’t actually required to write the next instalment of Luther after all!
I sent my manuscript off to be critiqued by a Reader for the New Writer’s Scheme; part of the Romantic Novelists Association, and boy, did it need it! My Reader was kind. But honest. I don’t know who it was (their identity is kept on a need-to-know basis, and we don’t need to know).
However, I’d love to hug and assure them I was not in the slightest offended by any suggested change. I utilised about 97.8% of them in fact because the new words and grammar and alterations changed not the plot, but the tone. The maturity of the prose. It’s still my story but it’s got High School clothing now, rather than the rather shabby primary wear it had been used to.
I like it. And so did two agents at the annual conference. We must not get too excited because agents love ideas – it’s their job to find new authors’ books enticing. Once they read the whole thing, as opposed to those first three chapters we all work so hard to perfect, their enthusiasm could easily wane.
I decided I needed some serious help at this point. My first book. My first time digging up the roots of my literary baby. So I employed a mentor!
For six weeks (and we are four weeks in) I have an expert at my beck and call, someone to bounce ideas off, someone to moan to, someone to share excited moments with. She is paid to respond to me, which is great.
However.
My mentor is also very honest. Calls a spade a spade and wouldn’t choose between two sentences I emailed one day when I was stuck. I had to choose myself, can you believe it π€£
It was the best thing. My mentor asked me to dig deep and think about which of the two would have a greater emotional impact on the character at that point. Genius. I knew the answer, and went ahead and implemented the correct choice.
I’ve re-written my synopsis with her guidance and now am in the process of researching agents with a view to start submitting from the end of the month. I’m a big girl and am aware initial interest does not always lead to offers of representation, but wow, I’m having fun! I’m also going to find a spike to stick the rejection slips on – Stephen King did that. I read his writing journey in ON WRITING and fell a little bit in love with him to be honest. That book in itself is a masterpiece, let alone his novels, of which I know own six.
If we were to look back to this time last year (which we won’t bother doing) I suspect my blog posts were all about …. well, I can’t even remember. What I do remember from that time is only having 24,000 words!
I’m on my second high speed train of the day, en route to York. Attending another annual event run by the RNA means a chance to catch up with published authors and other hopeful authors-to-be ππ₯
Enough about me. What are you all up to?
In the meantime, excuse me while I start this book.
I had to make an executive decision some months ago about my time management – there simply weren’t enough hours in the day to achieve all that I was attempting.
I’m afraid blogging was one of a few things which got the chop – creating in the process some quality writing and reading time. More on my own novel in the next post, but for now I’d like to talk about my favourite read of 2019.
Emma’s debut novel captured my heart last year as you may recall. You can read about that here.
When I received a very special parcel in the post a few weeks ago – Emma’s second novel; in the form of a review-copy paperback direct from her publishers Headline, I was beside myself with excitement and filled, it has to be said, with a huge dose of honour!
My summers are filled with a support role to Man of the Woods during the five-six weeks of harvest, which jostles neck and neck with my busiest time in the rug workshop. Evening shifts at both are a given, so reading hours are at a minimum.
However, once I’d opened the pages to the lives of Samuel and Sophie, I was hooked.
Housework went out the window, visits to extended family members were put on a back-burner; I just couldn’t stop reading!
I’d been so enamoured with ‘The Songs of Us’ the previous year, I held my breath as I started this second book, worried it could never be as good.
I needn’t have been. It’s even better π
Samuel’s storyline particularly had me in bits throughout. Expertly crafted by the author, his personal journey is a double-edged sword of the highest order and his final bittersweet moment has to be one of the most powerful scenes I’ve ever read.
A story told through two people’s view on the world with, mostly, alternating chapters, the pace keeps you turning the pages. Wonderful supporting cast (I say cast rather than characters because I visualise Emma’s books as films. Very easily in fact).
Throughout the book, I absorbed a masterclass of creative writing techniques, such as the reminder that chapters need only be the length it takes to get the message across. So clever…
Out now on kindle, why not treat yourself to a beautiful love story which will have you laughing out loud and crying in equal measures. If, like me, you prefer a paperback January can’t come quickly enough! I may still treat myself to a new copy but this one, the unfinished proof, will remain one of my prized possessions.
I do hope you have all had time to read some gems this year and those of you who write have found time to get words down on paper π
Bread is made with wheat flour. This variety is called SKYFALL π€
This morning I needed to pop and get some washing up liquid – thought I’d treat the kitchen to a few minutes of my time. Man of the Woods offered to drive me so we could ‘check the crops’ (hadn’t gone down overnight with the rather torrential rainfall).
Most of us know that bread is made from wheat but how often do we see the crop close-up during the growing season when the ‘ear’ is developing each individual seed which in late July/August will be harvested.
Some farmers grow wheat for feed whereas we grow wheat aimed for milling. It is more expensive to nurture a milling wheat crop, right from the day it’s drilled, because the criteria for bread-making flour is complicated.
Protein in the seed needs to be 13% minimum and moisture needs to be 15% maximum. Every batch of grain taken from the farm after harvest is tested and if the criteria are not reached, your 6-months of hard work becomes obsolete. The expensive seed you bought, drilled and nurtured – because you have the type of land which can support a milling crop (rain-willing) – will be sold instead to a feed merchant for a lot lot less per tonne than it would have been to a milling merchant.
Every time Man of the Woods goes out with his sprayer with fungicide, or fertiliser early on to increase the yield, he is attempting to insure the future of his crop (and yes, I did mean to type insure, not ensure, because these sprays and fertilisers cost thousands). He does this so it will make milling quality. So it will go for flour to make bread. So that we can buy bread and enjoy a slice with blackcurrant.
But in Jan and Feb you simply cannot predict what the Gulf Stream will be doing by May and June. Farming is a gamble. Did you know there are more suicides in farming than any other way of life?
There are some interesting facts here about mental health and farming.
He did make it down to Cornwall, for the final day .. and spent it at an agricultural show πππ
We mustn’t laugh. The Royal Cornwall show is the jewell in the crown of country shows and there was lots to see. I managed to delay our return to Suffolk and secure two further nights in the holiday apartment so he could enjoy his brief holiday π€
I’m not entirely sure where this post is going, I simply had the idea of sharing a rather cool close-up photo of water droplets on some wheat but my words have morphed into something with more meaning.
MoW helps me when I’m low and it is the role of the farmer’s wife to be there morally when they are low and spitting feathers because their multiple working hours have been in vain.
Today he is happy. Only a few patches along the edge of one field has suffered and the green crop is lying flat against the ground and unlikely to recover, lift and continue plumping each seed out to its full potential. The crop is at its heaviest now and therefore susceptible to being knocked over by heavy rain. Once it starts to ripen and go golden (basically dry out and die) it weighs less and can withstand a summer shower.
The one line eye-catching piece of prose at the top of your synopsis, before the thing starts, in the hope it catches an agent’s attention. We were taught about them on my recent CBC course. Some even make it all the way through the process and appear on the front cover of a book!
Taylor Jenkins Reid’s book, ‘After I Do’ had a great shout line, look..
It’s at the top; FALLING IN LOVE IS THE EASY PART. When I read that, I hear an enormous BUT THEN ….
I finished reading it two days ago, with tears steaming down from behind my sunnies. I was sat on a bench (dedicated to somebody who enjoyed years of holidays in this area) as the two main characters re-built their crumbling marriage. An intense, emotional and gritty read about the realism of taking your partner for granted and about what that can lead to. I actually sent Man of the Woods a text immediately I’d finished it. It’s the little thoughts that can go a long way when you’re apart…
Yesterday we padded around Padstow and ate pasties from the famous Choughbakery and lemon meringue pies from Stein’s Patisserie.
There is no photo of the Cornish pastie as we had to eat them sharpish before the seagulls succeededin their efforts to swoop in and win a mouthful.
By ‘we’ I mean myself, my young adult offspring and their respective partners. Gone are the days when holidays with children mean holding their hand, watching them jump and down at the sight of blue ice cream, and dealing with over tired whiny pleas of ‘when can we go in the sea, mummy?’.
Now, it’s a delicate balance of suggesting loose plans, being flexible when those fall apart, watching your daughter decide whether she wants to be a fisherman’s wife as her eternally patient BF prepared his various hooks and baits them with now-disgusting pieces of fish from the not-so-cool box he has under his landrover π€£π€£π€£πππ.
Then you’ve got the clown of the family – the happy-go-lucky son who still eats babybel cheeses and pretends to cry for our entertainment when he can’t find his whatever it is he’s looking for. He’s 6’4″, and I think gained an inch since New Zealand!
On the phone yesterday, MoW told me it rained more than 9mm yesterday in East Anglia and hence he and his father are stopping irritating (that’s not a typo; it’s how farmers refer to irrigating!). So we are holding our breath today for their arrival later. In my experience, the chance that something else can happen on the farm to prevent them making the 7-hr drive is quite high. I won’t believe he’s coming until I see his dad’s car pull up. (All the other cars in the family are here already π).
Anyway, back to books. We like a book don’t we. And we like a book shop, especially those cute independent ones, yes? Here’s a cutie – Padstow Bookseller.
This cover caught my eye, as did Julie Cohen’s words upon the front. oooh, I thought. I know and respect this author and if she says it’s great, I might just buy this. Then I opened the dust jacket and saw Susan Elliot Wright is a fellow RNA member, so the connections got even better and I opened and read the first page.
Yup, that was hooky enough for me to get my purse out!!
On our return from Padstow, being sure to leave the ‘kids’ some space, I retreated to my room with my laptop. After choosing how will spend my sessions at the conference next month, I went on to type up those penned-words I created last Friday towards a synopsis for Book 2. It’s the first draft obviously, but it’s a mini map of the whole idea. On paper/screen it now exists and is not simply only a notion inside my head. I’m excited by it. I even re-watched the Hidden History episode of Michael Portillo’s series which inspired this story!
Then we went in the sea ….
I finished the day studying the list of agents and publishers who are attending the two days of conference … just for us New Writers Scheme members! I mean, just how amazing is that? A chance for us to sit in a one to one meeting, the profressional having read the first 5000 words and a synopsis of our novels, yet knowing we are newbies and don’t really have a clue. It’s their opportunity to find a new voice, a nugget amongst the mountains of debut manuscripts!
I shall enjoy the weekend, the meeting of fellow authors, the standing in line for lunch with famous writers like Katie Ford, Jill Mansell, Julie Cohen, Rowan Coleman .. so many, too many to mention πΈπ₯
If anyone likes my work, it shall be icing on the cake ….